Master Class: Double-Tracking With Melodyne
HARMONIZING, DOUBLING, AND FORMANT-SHIFTING FOR THE MODERN AGE
MOTU The MasterWorks Collection (Mac) Review
THREE PLUG-INS THAT ARE NOT JUST FOR DP ANYMORE
GET THE MOST OUT OF THIS TOP-NOTCH DRUM SAMPLER
Apple Logic Pro 9 Master Class
CREATIVE WAYS TO USE LOGIC PRO 9'S FLEX TIME EDITING
CREATING EASY-TO-READ LEAD SHEETS IN YOUR DAW AND NOTATION PROGRAM
Making Tracks: Screencast Audio Editing
USE YOUR DAW TO FIX THOSE BREATHS, SLURS AND FLUBS
Noise gates are among the oldest audio-production tools.
You can often use several instances of the same plug-in to achieve realistic-sounding effects
Your mouse and keyboard provide a great degree of precision, control, and accuracy for interfacing with your DAW. Hardware control surfaces, with their ability to simultaneously edit multiple parameters, can add an extra degree of expressiveness and creativity. In this article I'll look at some interesting ways of using a control surface in your productions.
Reverb is usually applied to a mixture of tracks as a send effect. That's fine for creating ambiences and emulating natural spaces, but you can get a lot more creative by applying reverb to individual tracks, and then separately processing the resulting wet files. In this article, I'll discuss a number of variations on that theme and present specific examples.
Apple has added a number of features and enhancements to its Logic software that make the program more useful for post-production-style audio editing.
This month, I'll start with a reverb-processed vocal track and process several copies of the wet-only version on parallel tracks.
Creative Flex-Time Editing in Apple Logic Pro 9 (Screencast)
EM-author Eli Krantzberg shows you how to slice up and rearrange a synth part using Apple Logic Pro 9's Flex-Time feature